Image of the Day, February 18, 2012

By Donna Poulton

Now in her eighties, Edie Roberson (b.1929) is creating the most compelling work of her career, blending realistic landscapes with absurdist and postmodern themes. Still employing the precision of her prior hyper-real technique, her most recent compositions position prosaic children’s toys in southern Utah’s remotest deserts.

Edie Roberson, Annie’s Trip to Southern Utah, 2005, acrylic on board, 27 x 36 in. Private Collection. Credit: Edieroberson.com Little Orphan Annie in Annie’s Trip to Southern Utah is on a road trip and she looks absurdly happy on her motorcycle, exhaust blowing from the tailpipe as she speeds through the desert wilderness. The intertext from the comic strip informs the viewer, however, that she is in danger -- the fictional character, Annie, was always being stalked by dangerous characters. The viewer brings that knowledge to the reading of the text/painting. The dark storm clouds on the horizon are met by vast uninhabited stretches of nameless red rock desert.

“Painters of Utah’s Canyons and Deserts”

"Painters of Utah's Canyons and Deserts" - By Donna L. Poulton and Vern G. Swanson - Gibbs Smith Publishing

-- Jacket Cover: Edgar Payne, "Red Mesa, Monument Valley, Utah" Credit: Painters of Utah’s Canyons and Deserts

Famous movie director John Ford once exclaimed, “…Monument Valley was my greatest star.” 

--James Swinnerton, “Desert Clouds”  Credit: Painters of Utah’s Canyons and Deserts

But long before Ford lionized these great icons of the southwest, paintings of the sweeping desert and colorful canyon country of Utah’s plateau province had captured the popular imagination of American and European audiences.

--Salomon Nunes Carvalho, “Natural Obelisks” Credit: Painters of Utah’s Canyons and Deserts

--Thomas Moran in Zion Credit: Painters of Utah’s Canyons and Deserts

Vividly illustrated and exhaustively researched, “Painters of Utah’s Canyons and Deserts” is the first comprehensive history of the artists who painted Utah’s Red Rock with more than 300 paintings spanning 155 years of art.

--David Meikle “View of Zion Canyon” Credit: Painters of Utah’s Canyons and Deserts

--Clay Wagstaff “Late October Evening” Credit: Painters of Utah’s Canyons and Deserts

The book explores the contrasts between painters who called Utah home and those who explored and visited.  The book looks at lively anecdotes of the “artist as explorer,” including John Wesley Powell’s harrowing trip down the Colorado River, artist Solomon Nunes Carvalho’s recovery from the brink of starvation, and Richard Kern’s death at the hands of the Paiutes.

--David Meikle “Mount Carmel Afternoon” Credit: Painters of Utah’s Canyons and Deserts

--Edie Roberson “Annie’s Trip to Southern Utah” Credit: Painters of Utah’s Canyons and Deserts

Love of the western landscape has to do with the capacity of the viewer to experience vast space.  To appreciate the desert terrain, one has to be comfortable with an inscrutable universe.  Whether existential or spiritual, these themes are evoked in the modern paintings of Ed Mell, Conrad Buff, Maynard Dixon, Gary E. Smith and many others.

--Ed Mell “Canyon Light and Rain” Credit: Painters of Utah’s Canyons and Deserts

--Gary E. Smith “Canyon Dweller” Credit: Painters of Utah’s Canyons and Deserts